| MIDI Output | Ableton Live | Adobe Audition | Cakewalk (Sonar) | Midibox (Logic) | Mackie (Tracktion) | Mackie Universal | MOTU (Digital Performer) | Propellerhead (Reason) | ProTools HUI | SAW Studio | Steinberg | Sony (Vegas) |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Ch1 C 1 | Select Chn#1 | Select Chn#1 | Select Chn#1 | Select Chn#1 | Select Chn#1 | Select Chn#1 | Select Chn#1 | Select Chn#1 | Select Chn#1 | Select Chn#1 | Select Chn#1 | Select Chn#1 |
| Ch1 C# 1 | Select Chn#2 | Select Chn#2 | Select Chn#2 | Select Chn#2 | Select Chn#2 | Select Chn#2 | Select Chn#2 | Select Chn#2 | Select Chn#2 | Select Chn#2 | Select Chn#2 | Select Chn#2 |
| Ch1 D 1 | Select Chn#3 | Select Chn#3 | Select Chn#3 | Select Chn#3 | Select Chn#3 | Select Chn#3 | Select Chn#3 | Select Chn#3 | Select Chn#3 | Select Chn#3 | Select Chn#3 | Select Chn#3 |
| Ch1 D# 1 | Select Chn#4 | Select Chn#4 | Select Chn#4 | Select Chn#4 | Select Chn#4 | Select Chn#4 | Select Chn#4 | Select Chn#4 | Select Chn#4 | Select Chn#4 | Select Chn#4 | Select Chn#4 |
| Ch1 E 1 | Select Chn#5 | Select Chn#5 | Select Chn#5 | Select Chn#5 | Select Chn#5 | Select Chn#5 | Select Chn#5 | Select Chn#5 | Select Chn#5 | Select Chn#5 | Select Chn#5 | Select Chn#5 |
| Ch1 F 1 | Select Chn#6 | Select Chn#6 | Select Chn#6 | Select Chn#6 | Select Chn#6 | Select Chn#6 | Select Chn#6 | Select Chn#6 | Select Chn#6 | Select Chn#6 | Select Chn#6 | Select Chn#6 |
| Ch1 F# 1 | Select Chn#7 | Select Chn#7 | Select Chn#7 | Select Chn#7 | Select Chn#7 | Select Chn#7 | Select Chn#7 | Select Chn#7 | Select Chn#7 | Select Chn#7 | Select Chn#7 | Select Chn#7 |
| Ch1 G 1 | Select Chn#8 | Select Chn#8 | Select Chn#8 | Select Chn#8 | Select Chn#8 | Select Chn#8 | Select Chn#8 | Select Chn#8 | Select Chn#8 | Select Chn#8 | Select Chn#8 | Select Chn#8 |
| Ch1 C-1 | Rec/Ready Chn#1 | Rec/Ready Chn#1 | Rec/Ready Chn#1 | Rec/Ready Chn#1 | Rec/Ready Chn#1 | Rec/Ready Chn#1 | Rec/Ready Chn#1 | Rec/Ready Chn#1 | Rec/Ready Chn#1 | Rec/Ready Chn#1 | Rec/Ready Chn#1 | Rec/Ready Chn#1 |
| Ch1 C#-1 | Rec/Ready Chn#2 | Rec/Ready Chn#2 | Rec/Ready Chn#2 | Rec/Ready Chn#2 | Rec/Ready Chn#2 | Rec/Ready Chn#2 | Rec/Ready Chn#2 | Rec/Ready Chn#2 | Rec/Ready Chn#2 | Rec/Ready Chn#2 | Rec/Ready Chn#2 | Rec/Ready Chn#2 |
| Ch1 D-1 | Rec/Ready Chn#3 | Rec/Ready Chn#3 | Rec/Ready Chn#3 | Rec/Ready Chn#3 | Rec/Ready Chn#3 | Rec/Ready Chn#3 | Rec/Ready Chn#3 | Rec/Ready Chn#3 | Rec/Ready Chn#3 | Rec/Ready Chn#3 | Rec/Ready Chn#3 | Rec/Ready Chn#3 |
| Ch1 D#-1 | Rec/Ready Chn#4 | Rec/Ready Chn#4 | Rec/Ready Chn#4 | Rec/Ready Chn#4 | Rec/Ready Chn#4 | Rec/Ready Chn#4 | Rec/Ready Chn#4 | Rec/Ready Chn#4 | Rec/Ready Chn#4 | Rec/Ready Chn#4 | Rec/Ready Chn#4 | Rec/Ready Chn#4 |
| Ch1 E-1 | Rec/Ready Chn#5 | Rec/Ready Chn#5 | Rec/Ready Chn#5 | Rec/Ready Chn#5 | Rec/Ready Chn#5 | Rec/Ready Chn#5 | Rec/Ready Chn#5 | Rec/Ready Chn#5 | Rec/Ready Chn#5 | Rec/Ready Chn#5 | Rec/Ready Chn#5 | Rec/Ready Chn#5 |
| Ch1 F-1 | Rec/Ready Chn#6 | Rec/Ready Chn#6 | Rec/Ready Chn#6 | Rec/Ready Chn#6 | Rec/Ready Chn#6 | Rec/Ready Chn#6 | Rec/Ready Chn#6 | Rec/Ready Chn#6 | Rec/Ready Chn#6 | Rec/Ready Chn#6 | Rec/Ready Chn#6 | Rec/Ready Chn#6 |
| Ch1 F#-1 | Rec/Ready Chn#7 | Rec/Ready Chn#7 | Rec/Ready Chn#7 | Rec/Ready Chn#7 | Rec/Ready Chn#7 | Rec/Ready Chn#7 | Rec/Ready Chn#7 | Rec/Ready Chn#7 | Rec/Ready Chn#7 | Rec/Ready Chn#7 | Rec/Ready Chn#7 | Rec/Ready Chn#7 |
| Ch1 G-1 | Rec/Ready Chn#8 | Rec/Ready Chn#8 | Rec/Ready Chn#8 | Rec/Ready Chn#8 | Rec/Ready Chn#8 | Rec/Ready Chn#8 | Rec/Ready Chn#8 | Rec/Ready Chn#8 | Rec/Ready Chn#8 | Rec/Ready Chn#8 | Rec/Ready Chn#8 | Rec/Ready Chn#8 |
| Ch1 G#-1 | Solo Chn#1 | Solo Chn#1 | Solo Chn#1 | Solo Chn#1 | Solo Chn#1 | Solo Chn#1 | Solo Chn#1 | Solo Chn#1 | Solo Chn#1 | Solo Chn#1 | Solo Chn#1 | Solo Chn#1 |
| Ch1 A-1 | Solo Chn#2 | Solo Chn#2 | Solo Chn#2 | Solo Chn#2 | Solo Chn#2 | Solo Chn#2 | Solo Chn#2 | Solo Chn#2 | Solo Chn#2 | Solo Chn#2 | Solo Chn#2 | Solo Chn#2 |
| Ch1 A#-1 | Solo Chn#3 | Solo Chn#3 | Solo Chn#3 | Solo Chn#3 | Solo Chn#3 | Solo Chn#3 | Solo Chn#3 | Solo Chn#3 | Solo Chn#3 | Solo Chn#3 | Solo Chn#3 | Solo Chn#3 |
| Ch1 B-1 | Solo Chn#4 | Solo Chn#4 | Solo Chn#4 | Solo Chn#4 | Solo Chn#4 | Solo Chn#4 | Solo Chn#4 | Solo Chn#4 | Solo Chn#4 | Solo Chn#4 | Solo Chn#4 | Solo Chn#4 |
| Ch1 C 0 | Solo Chn#5 | Solo Chn#5 | Solo Chn#5 | Solo Chn#5 | Solo Chn#5 | Solo Chn#5 | Solo Chn#5 | Solo Chn#5 | Solo Chn#5 | Solo Chn#5 | Solo Chn#5 | Solo Chn#5 |
| Ch1 C# 0 | Solo Chn#6 | Solo Chn#6 | Solo Chn#6 | Solo Chn#6 | Solo Chn#6 | Solo Chn#6 | Solo Chn#6 | Solo Chn#6 | Solo Chn#6 | Solo Chn#6 | Solo Chn#6 | Solo Chn#6 |
| Ch1 D 0 | Solo Chn#7 | Solo Chn#7 | Solo Chn#7 | Solo Chn#7 | Solo Chn#7 | Solo Chn#7 | Solo Chn#7 | Solo Chn#7 | Solo Chn#7 | Solo Chn#7 | Solo Chn#7 | Solo Chn#7 |
| Ch1 D# 0 | Solo Chn#8 | Solo Chn#8 | Solo Chn#8 | Solo Chn#8 | Solo Chn#8 | Solo Chn#8 | Solo Chn#8 | Solo Chn#8 | Solo Chn#8 | Solo Chn#8 | Solo Chn#8 | Solo Chn#8 |
| Ch1 E 0 | Mute Chn#1 | Mute Chn#1 | Mute Chn#1 | Mute Chn#1 | Mute Chn#1 | Mute Chn#1 | Mute Chn#1 | Mute Chn#1 | Mute Chn#1 | Mute Chn#1 | Mute Chn#1 | Mute Chn#1 |
| Ch1 F 0 | Mute Chn#2 | Mute Chn#2 | Mute Chn#2 | Mute Chn#2 | Mute Chn#2 | Mute Chn#2 | Mute Chn#2 | Mute Chn#2 | Mute Chn#2 | Mute Chn#2 | Mute Chn#2 | Mute Chn#2 |
| Ch1 F# 0 | Mute Chn#3 | Mute Chn#3 | Mute Chn#3 | Mute Chn#3 | Mute Chn#3 | Mute Chn#3 | Mute Chn#3 | Mute Chn#3 | Mute Chn#3 | Mute Chn#3 | Mute Chn#3 | Mute Chn#3 |
| Ch1 G 0 | Mute Chn#4 | Mute Chn#4 | Mute Chn#4 | Mute Chn#4 | Mute Chn#4 | Mute Chn#4 | Mute Chn#4 | Mute Chn#4 | Mute Chn#4 | Mute Chn#4 | Mute Chn#4 | Mute Chn#4 |
| Ch1 G# 0 | Mute Chn#5 | Mute Chn#5 | Mute Chn#5 | Mute Chn#5 | Mute Chn#5 | Mute Chn#5 | Mute Chn#5 | Mute Chn#5 | Mute Chn#5 | Mute Chn#5 | Mute Chn#5 | Mute Chn#5 |
| Ch1 A 0 | Mute Chn#6 | Mute Chn#6 | Mute Chn#6 | Mute Chn#6 | Mute Chn#6 | Mute Chn#6 | Mute Chn#6 | Mute Chn#6 | Mute Chn#6 | Mute Chn#6 | Mute Chn#6 | Mute Chn#6 |
| Ch1 A# 0 | Mute Chn#7 | Mute Chn#7 | Mute Chn#7 | Mute Chn#7 | Mute Chn#7 | Mute Chn#7 | Mute Chn#7 | Mute Chn#7 | Mute Chn#7 | Mute Chn#7 | Mute Chn#7 | Mute Chn#7 |
| Ch1 B 0 | Mute Chn#8 | Mute Chn#8 | Mute Chn#8 | Mute Chn#8 | Mute Chn#8 | Mute Chn#8 | Mute Chn#8 | Mute Chn#8 | Mute Chn#8 | Mute Chn#8 | Mute Chn#8 | Mute Chn#8 |
| Ch1 E 2 | Assign I/O | Assign Track | Assign Track | Assign Track | Assign Pan | Assign I/O | Assign Track | Assign 1 | Pan | Assign Track | Assign Track | Output / Composting |
| Ch1 F 2 | Assign Sends | Assign Send | Assign Send | Assign Send | Assign Aux | Assign Sends | Assign Send | Assign 2 | Plug-In | Assign Send | Assign Send | Input / Motion Blur |
| Ch1 F# 2 | Assign Pan | Assign Pan/Surround | Assign Pan/Surround | Assign Pan/Surround | Assign Plug-In | Assign Pan | Assign Pan/Surround | Assign Pan | Assign | Assign Pan/Surround | Assign Pan/Surround | Pan / Fade to Color |
| Ch1 G 2 | Assign Plug Ins | Assign Plug In | Assign Plug In | Assign Plug In | Assign Marker | Assign Plug-Ins | Assign Plug In | Assign Aux Ret | Send | Assign Plug In | Assign Plug In | Sends |
| Ch1 G# 2 | Assign Page Left | Assign EQ | Assign EQ | Assign EQ | Page L | Assign EQ | Assign EQ | Assign Treble | Input | Assign EQ | Assign EQ | Inserts |
| Ch1 A 2 | Assign Page Right | Assign Instrument | Assign Instrument | Assign Instrument | Page R | Assign Dyn | Assign Instrument | Assign Bass | Output | Assign Instrument | Assign Instrument | Settings |
| Ch1 A# 2 | Bank Left | Bank Left | Bank Left | Bank Left | Bank Left | Bank Left | Bank Left | Bank Left | Bank Left | Bank Left | Bank Left | Bank Left |
| Ch1 B 2 | Bank Right | Bank Right | Bank Right | Bank Right | Bank Right | Bank Right | Bank Right | Bank Right | Bank Right | Bank Right | Bank Right | Bank Right |
| Ch1 C 3 | Bank Channel Left | Bank Channel Left | Bank Channel Left | Bank Channel Left | Bank Channel Left | Bank Channel Left | Bank Channel Left | Bank Channel Left | Bank Channel Left | Bank Channel Left | Bank Channel Left | Bank Channel Left |
| Ch1 C# 3 | Bank Channel Right | Bank Channel Right | Bank Channel Right | Bank Channel Right | Bank Channel Right | Bank Channel Right | Bank Channel Right | Bank Channel Right | Bank Channel Right | Bank Channel Right | Bank Channel Right | Bank Channel Right |
| Ch1 D 3 | Flip | Flip | Flip | Flip | Flip | Flip | Flip | Flip | V-sel | Flip | Flip | Flip |
| Ch1 D# 3 | Returns | Edit | Edit | Global View | Edit | Edit | Edit | Normal | Insert | Edit | Edit | Video mode |
| Ch1 A# 4 | Shift | Show/hide Mixer | M1 | Shift | Shift | Shift | Shift | Shift/Add | No | Undo | Shift | |
| Ch1 B 4 | Option | Show/hide Ses.Prop. | M2 | Option | Add New Marker | Option | Control | Option/All | Clear Softedge | Redo | Option / Track Order | |
| Ch1 C 5 | Control | Show/hide EQ | M3 | Control | Nudge < | Control | Option | Control/Clutch | Enter | Save | Control | |
| Ch1 C# 5 | Alt | Show/hide Organizer | M4 | Cmd/Alt | Nudge > | Alt | Command | Cmd/Alt | Cancel | Revert | Alt | |
| Ch1 C 6 | Locator Previous | Play > | < Marker > | Marker | Loop | < Frm | RTZ | To Left Location | In/RTZ | Shift | Left | Marker / CD Index |
| Ch1 C# 6 | Locator Next | Play (>) | / Loop / | Nudge | Punch | Frm > | < Marker > | To Right Location | Out/End | Ctrl | Right | Region / CD Track |
| Ch1 D 6 | Loop | Play ∞ | / Select / | Cycle | Click | Loop | Edit Grid | Song Pos | Loop/Pre | Alt | Cycle | Loop / Select |
| Ch1 D# 6 | PI | Punch In | / Punch / | Drop | Snap | PI | / Cycle / | Left Pos | Online/Post | Select Mode | Punch | Mark In / Go to in |
| Ch1 E 6 | PO | Anchor L | Jog Param. | Replace | End to end | PO | / Punch / | Right Pos | QPunch | Auto Mode | Previous | Mark Out / Go to out |
| Ch1 F 6 | Home | Anchor R | Loop On/Off | Click | Scroll | Home | / Select / | Loop | Cue Mgr | Offset Mode | Add | Event Trim / Center. Cursor |
| Ch1 F# 6 | !!End | !!Disable | !!Home | !!Solo | !!MTC Chase | !!End | !! Solo | !!Click | !!Suspend | !!Auto-Rew Mode | !!Next | !!RTZ / End |
| Ch1 G 6 | Rewind | Rewind | Rewind | Rewind | Rewind | Rewind | Rewind | Rewind | Rewind | Rewind | Rewind | Rewind |
| Ch1 G# 6 | FFwd | FFwd | FFwd | FFwd | FFwd | FFwd | FFwd | FFwd | FFwd | FFwd | FFwd | FFwd |
| Ch1 A 6 | Stop | Stop | Stop | Stop | Stop | Stop | Stop | Stop | Stop | Stop | Stop | Stop |
| Ch1 A# 6 | Play | Play | Play | Play | Play | Play | Play | Play | Play | Play | Play | Play |
| Ch1 B 6 | Record | Record | Record | Record | Record | Record | Record | Record | Record | Record | Record | Record |
| Ch1 C 7 | Cursor Up | Cursor Up | Cursor Up | Cursor Up | Cursor Up | Cursor Up | Cursor Up | Cursor Up | Cursor Up | Cursor Up | Cursor Up | Cursor Up |
| Ch1 C# 7 | Cursor Left | Cursor Left | Cursor Left | Cursor Left | Cursor Left | Cursor Left | Cursor Left | Cursor Left | Cursor Left | Cursor Left | Cursor Left | Cursor Left |
| Ch1 D# 7 | Zoom | Zoom | Zoom | Zoom | Zoom | Zoom | Zoom | Zoom | Zoom | Zoom | Zoom | Zoom |
| Ch1 E 7 | Cursor Right | Cursor Right | Cursor Right | Cursor Right | Cursor Right | Cursor Right | Cursor Right | Cursor Right | Cursor Right | Cursor Right | Cursor Right | Cursor Right |
| Ch1 F 7 | Cursor Down | Cursor Down | Cursor Down | Cursor Down | Cursor Down | Cursor Down | Cursor Down | Cursor Down | Cursor Down | Cursor Down | Cursor Down | Cursor Down |
| Ch1 D 7 | !!Scrub Button | !!Scrub Button | !!Scrub Button | !!Scrub Button | !!Scrub Button | !!Scrub Button | !!Scrub Button | !!Scrub Button | !!Scrub Button | !!Scrub Button | !!Scrub Button | !!Scrub Button |
| Ch1 G# 1 | VPot Select Chn#1 | VPot Select Chn#1 | VPot Select Chn#1 | VPot Select Chn#1 | VPot Select Chn#1 | VPot Select Chn#1 | VPot Select Chn#1 | VPot Select Chn#1 | VPot Select Chn#1 | VPot Select Chn#1 | VPot Select Chn#1 | VPot Select Chn#1 |
| Ch1 A 1 | VPot Select Chn#2 | VPot Select Chn#2 | VPot Select Chn#2 | VPot Select Chn#2 | VPot Select Chn#2 | VPot Select Chn#2 | VPot Select Chn#2 | VPot Select Chn#2 | VPot Select Chn#2 | VPot Select Chn#2 | VPot Select Chn#2 | VPot Select Chn#2 |
| Ch1 A# 1 | VPot Select Chn#3 | VPot Select Chn#3 | VPot Select Chn#3 | VPot Select Chn#3 | VPot Select Chn#3 | VPot Select Chn#3 | VPot Select Chn#3 | VPot Select Chn#3 | VPot Select Chn#3 | VPot Select Chn#3 | VPot Select Chn#3 | VPot Select Chn#3 |
| Ch1 B 1 | VPot Select Chn#4 | VPot Select Chn#4 | VPot Select Chn#4 | VPot Select Chn#4 | VPot Select Chn#4 | VPot Select Chn#4 | VPot Select Chn#4 | VPot Select Chn#4 | VPot Select Chn#4 | VPot Select Chn#4 | VPot Select Chn#4 | VPot Select Chn#4 |
| Ch1 C 2 | VPot Select Chn#5 | VPot Select Chn#5 | VPot Select Chn#5 | VPot Select Chn#5 | VPot Select Chn#5 | VPot Select Chn#5 | VPot Select Chn#5 | VPot Select Chn#5 | VPot Select Chn#5 | VPot Select Chn#5 | VPot Select Chn#5 | VPot Select Chn#5 |
| Ch1 C# 2 | VPot Select Chn#6 | VPot Select Chn#6 | VPot Select Chn#6 | VPot Select Chn#6 | VPot Select Chn#6 | VPot Select Chn#6 | VPot Select Chn#6 | VPot Select Chn#6 | VPot Select Chn#6 | VPot Select Chn#6 | VPot Select Chn#6 | VPot Select Chn#6 |
| Ch1 D 2 | VPot Select Chn#7 | VPot Select Chn#7 | VPot Select Chn#7 | VPot Select Chn#7 | VPot Select Chn#7 | VPot Select Chn#7 | VPot Select Chn#7 | VPot Select Chn#7 | VPot Select Chn#7 | VPot Select Chn#7 | VPot Select Chn#7 | VPot Select Chn#7 |
| Ch1 D# 2 | VPot Select Chn#8 | VPot Select Chn#8 | VPot Select Chn#8 | VPot Select Chn#8 | VPot Select Chn#8 | VPot Select Chn#8 | VPot Select Chn#8 | VPot Select Chn#8 | VPot Select Chn#8 | VPot Select Chn#8 | VPot Select Chn#8 | VPot Select Chn#8 |
| Ch1 D 4 | User D4 | Global View | New Audio Track (9) | Global Tracks | Fit all tracks | F9 | Rec. Click | Bank A | Read/Send A | Split | Fader Groups 1 | Add New Track |
| Ch1 D# 4 | User D#4 | Global Mon. Rec | New MIDI Track (0) | Global Inputs | Zoom out | F10 | Rec. Countoff | Bank B | Write/Send B | Split/rem | Fader Groups 2 | Add New Bus |
| Ch1 E 4 | User E4 | Global Cue | Fit Tracks (+) | Global Audio Trck | Prev Mark | F11 | Rec. Overdub | Bank C | Touch/Send C | Update | Fader Groups 3 | Mixer Window |
| Ch1 F 4 | User F4 | Global Cue List | Fit Project (-) | Global Audio Instr | Next Mark | F12 | Rec. Patch thru | Bank D | Latch/Send D | Move | Fader Groups 4 | Vid. Preview Window |
| Ch1 F# 4 | User F#4 | Global Sel.All | Dialog Ok/Enter | Global Aux | Insert Tempo Change | F13 | Rec. Clear Clip | Run | Trim/Send E | Stretch | Fader Groups 5 | Plug-in Window |
| Ch1 G 4 | User G4 | Global Zoom Full | Dialog Cancel | Global Busses | Projects Screen | F14 | Trans. Slave to Ext | Off/Shift | Delete | Fader Groups 6 | Bus Tracks Window | |
| Ch1 G# 4 | User G#4 | Global Close | Next Window (TAB) | Global Outputs | Settings Screen | F15 | Trans. Memory Link | Prev Patch | /Mute | Retake | Fader Groups 7 | Dock Area Window |
| Ch1 A 4 | User A4 | Global Save | Close Window (Back) | Global User | Edit Screen | F16 | Trans. Pre/Post Roll | Next Patch | Default/Bypass | Undo/Redo | Fader Groups 8 | Track List Window |
| Ch1 D 5 | View Sess/Arr. | MT Next Block | Autom. Read Off | Autom. Read Off | Show Meters | Autom. On | Autom. Read Off | Reset Autom | Auto Enable Fader | Soft Edge | Read | Automation |
| Ch1 D# 5 | View Clip/FX | MT Split | Autom. Snapshot | Autom. Write | Show Racks | Autom. Rec/Rdy | Autom. Touch | Auto Enable Mute | Select Ext | Write | Bypass FX | |
| Ch1 E 5 | Functions Undo | MT Trigger | Control Track | Autom. Trim | Show Filters | Function Undo | Autom. Trim Touch | Undo | Auto Enable Plug-in | View Filter | Sends | Metronome |
| Ch1 G# 5 | !!Functions BTA | !!MT SMPTE | !!Control Aux | !!Util Save | !!Util Save | !!Function Cancel | !!Project Save | !!All Mute Off | !!Util Save | !!Zero Cross | !!Intruments | !! Save |
| Ch1 A 5 | !!Functions Draw | !!MT SMPTE | !!Control Main | !!Util Undo | !!Util Undo | !!Function Enter | !!Audible Mode | !!All Solo Off | !!Util Undo | !!Clear Marks | !!Master | !! Undo / Redo |
| Ch1 F 5 | View Browser | MT Remove | Autom. Disarm | Autom. Touch | Save | Autom. Snapshot | Autom. Overwrite | Auto Enable Pan | Locate | Project | Surround / Ext Monitor | |
| Ch1 F# 5 | View Detail | MT Metronome | Autom. Offset | Autom. Latch | Undo | Autom. Touch | Autom. Latch | Auto Enable Send | Select | Mixer | Downmix / Split Screen | |
| Ch1 G 5 | !!Functions Redo | !!MT < Cursor | !! Save | !!Autom. Group | !!Redo | !!Function Redo | !!Autom. Trim Latch | !!Redo | !!Auto En Send Mute | !!Fade | !!Motors | !!Dim Overlays |
| Ch1 A#5 | Functions Marker | MT < Nudge | Undo | Util Cancel | Clear Peaks | Function Marker | Undo | Mute Track | Util Esc/Cancel | Mark Beginning | Solo Defeat | OK /Enter |
| Ch1 B 5 | Functions Follow | MT Nudge > | Redo | Util Enter | Freeze/Unfreeze Track | Function Mixer | Redo | Solo Track | Util Enter | Mark End | Shift | Cancel |
| MBLC Hold Layer | MBLC Hold Layer | MBLC Hold Layer | MBLC Hold Layer | MBLC Hold Layer | MBLC Hold Layer | MBLC Hold Layer | MBLC Hold Layer | MBLC Hold Layer | MBLC Hold Layer | MBLC Hold Layer | MBLC Hold Layer | |
| Ch1 F# 3 | User F#3 | Copy | F1/Cut (1) | F1 | Enable Filters | F1 | Dialog Enter | Pattern 1 | Edit | 1 | F1 | Marker 1/9 / Auto Mode |
| Ch1 G 3 | User G3 | Cut | F2/Copy (2) | F2 | Enable Master Filters | F2 | Dialog Escape | Pattern 2 | Mix | 2 | F2 | Marker 2/10 / Pan Mode |
| Ch1 G# 3 | User G#3 | Paste | F3/Paste (3) | F3 | Mark In | F3 | Track Group | Pattern 3 | Transport | 3 | F3 | Marker 3/11 / Track Phase |
| Ch1 A 3 | User A3 | Trim | F4/Delete (4) | F4 | Mark Out | F4 | Track Ungroup | Pattern 4 | Mem Loc | 4 | F4 | Marker 4/12 / Input Monitor |
| Ch1 A# 3 | User A#3 | Freq | F5/Space (5) | F5 | Cut | F5 | Track Suspend | Pattern 5 | Auto | 5 | F5 | Marker 5/13 / Pre/Post |
| Ch1 B 3 | User B3 | Phase | F6/Alt (6) | F6 | Copy | F6 | Sequence Edit Window | Pattern 6 | Monitor/Plugin Assign | 6 | F6 | Marker 6/14 / Default |
| Ch1 C 4 | User C4 | Spectral | F7/Tab (7) | F7 | Paste | F7 | Trk. Overview Window | Pattern 7 | Group/Compare | 7 | F7 | Marker 7/15 |
| Ch1 C# 4 | User C#4 | Insert | F8/Back (8) | F8 | Delete | F8 | Mixing Board Window | Pattern 8 | Create/Bypass | 8 | F8 | Marker 8/16 |
| Ch1 E 3 | !!Meter | !!Undo | !!Display Name/Value | !!Display Name/Value | !!CPU% | !!Display Name/Value | !!Display Level Meters | !!Device/Param | !!Special MackieMan | !!Session Snapshot | !!Display Name/Value | !!Display Meters/Values / Tracks/Busses |
| Ch1 F 3 | !!SMPTE/Beats | !!Redo | !!Display Smpte/Beats | !!Display Smpte/Beats | !!SMPTE/Beats | !!Display Smpte/Beats | !!Display Time Format | !!Special Clear Peaks | !!Session Save/Update | !!Display Smpte/Beats | !!Time Format / Set Zero |
If you're using Mackie Control Extenders. you'll need to set up your channel mapping.
For example, if your Mackie Control Universal is on the left of your Mackie Control Extender, you could configure the Mackie Control to adjust channels 1 through 8 and use the Mackie Control Extender to adjust channels 9 through 16.
If you have a Mackie Control Universal positioned between two Mackie Control Extenders, you could adjust channels 1 through 8 on the left Extender, adjust channels 9 through 16 on the Mackie Control Universal, and adjust channels 17 through 24 on the right Extender.
From the Options menu, choose Preferences to display the Preferences dialog.
Select the External Control & Automation tab.
Double-click your Mackie Control in the Active control devices list to display the Configure Mackie Control dialog.
The current channel mapping is displayed on each device's LCD.
Choose the channels you want to control with the Mackie Control Universal:
I just picked up a mackie control universal controller with one mackie control xt expansion controller. Each are having issues which I was hoping some of you had some experience with. First off the Mackie Control Universal seems to be suffering from an issue which I am able to reliably recreate.
From the Device Type drop-down list, choose Mackie Control.
From the Channel Mapping drop-down list, choose the channels you want to adjust with the Mackie Control Universal.
Feel free to let me know if you know any solutions to any of these issues! Here's my post in the Reaper forums: http://forum.cockos.com/showthread.php?p=1805. If you think there is a problem, need to contact support, get the latest updates, or manage your licenses, you'll want to Register your Mackie product first.
Choose the channels you want to control with the Mackie Control Extender:
From the Device Type drop-down list, choose Mackie Control Extender.
From the Channel Mapping drop-down list, choose the channels you want to adjust with the Mackie Control Extender.
Repeat Step 5 for each Mackie Control Extender.
Click OK to apply your changes and close the Configure Mackie Control dialog.
Click OK to apply your changes and close the Preferences dialog.
Use the External Control & Automation tab in the Preferences dialog to select the control surfaces you want to use and adjust their configuration.
When you customize your control mappings, button functions may not match the labels on the overlay. You can click the Default All button in the Configure Mackie Control dialog to restore the default settings.
From the Options menu, choose Preferences to display the Preferences dialog.
Select the External Control & Automation tab.
Double-click your Mackie Control in the Active control devices list to display the Configure Mackie Control dialog.
To add or change a function do the following:
Select an item in the User defined surface control mappings list.
Select an item in the Available host functions list.
Click the Assign button.
To remove a function, select an item in the User defined surface control mappings list and click the Clear button.
To remove all functions, click the Clear All button.
To replace all custom functions with the default settings, click the Default All button.
Area | Description | ||||||||
V-Pot | Adjusts values for panning, volume (when Flip button is selected), and effect parameter values.
The V-Pot is velocity sensitive, so rotating quickly changes values quickly, and you can press the button to choose a selection. When the Pan or Sends button is selected, press the V-Pot to edit the track or bus effects chain. | ||||||||
Rec/Rdy button Originally 86-DOS, written by Tim Paterson of Seattle Computer Products, DOS was a rough clone of CP/M for 8086 based hardware. Microsoft purchased it and licensed it to IBM for use with Microsoft's IBM PC language products. In 1982, Microsoft began licensing DOS to other OEMs that ported it to their custom x86 hardware and IBM PC. Ms dos 622 iso download. Microsoft MS-DOS 6.22. An icon used to represent a menu that can be toggled by interacting with this icon. | Arms audio tracks for recording. | ||||||||
Signal LED | Indicates whether an audio track or bus is outputting a signal. | ||||||||
Solo button | Press to solo a track or remove it from the solo group. | ||||||||
Mute button | Press to mute or unmute a track. | ||||||||
Select button | Press to select a track. | ||||||||
Fader | Adjusts the track or bus level (unless the Flip button is selected). When the Automation button is selected, the fader adjusts the automation envelope if the track is in Automation Write (Touch) or Automation Write (Latch) mode. The fader can also adjust settings for the following items when you select other buttons in the Channel section.
The fader is touch sensitive, so if you're recording automation parameters, recording will begin when you touch the fader and stop when you release it. The current setting is displayed in the Mackie Control display. |
The Mackie Control has two switched inputs (labeled User Switch A and User Switch B) that you can use to connect footswitches.
By default, footswitch A toggles playback, and footswitch B starts and stops recording.
You can customize the footswitches in the Configure Mackie Control dialog. Double-click Mackie Control in the Active control devices list on the External Control & Automation tab of the Preferences dialog to display the Configure Mackie Control dialog.
The buttons in the Control section determine the operation of the V-Pots and faders in the channel section of your Mackie Control. In every mode, the fader adjusts track volume, and the V-Pot adjusts the selected control mode. You can press the Flip button to reverse the V-Pot and fader function.Button | Description | ||||||||||||||||||
Output | Press the Output button to set the output device for each track or bus. Turn the V-Pot in the channel section to choose an output device and press the V-Pot to select it. | ||||||||||||||||||
Input | Press to set the recording input device for each track. Turn the V-Pot in the channel section to choose an input device and press the V-Pot to select it. | ||||||||||||||||||
Pan | Press to adjust track panning using the V-Pot in the channel section. In 5.1 surround projects, pressing the Pan button toggles left-to-right panning, front-to-rear panning, and center-channel level adjustment using the V-Pot. | ||||||||||||||||||
Sends | Press to adjust bus and assignable effects send levels. Press the Sends button to scroll through the available busses and assignable effects chains, and then turn the V-Pot to adjust the send level. | ||||||||||||||||||
Inserts | Press to adjust effects settings. Press the button once to display PL in the Mackie Control Assignment display. The Mackie Control LCD displays the effects that are assigned to each track or bus. The following example shows a three-track project: Turn the V-Pot to scroll through the effects, and press the V-Pot to edit the current effect. In editing mode, PE is displayed in the Assignment display. The following example shows the settings for the Noise Gate plug-in on track one: PE mode uses the following controls:
Press the Inserts button again to view effects chains. PS is displayed in the Assignment display. The following example shows the effects chain on track one: PS mode uses the following controls:
When is displayed above a V-Pot, you can turn the V-Pot to view effects that you can add to the chain. New effects are displayed with a *. Press the next V-Pot (to the right) to add the effect. | ||||||||||||||||||
Settings | Press to adjust track or bus settings using the F1 through F6 buttons.
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Button | Description |
Bank | Press the left or right arrow button to scroll the channels 8 units at a time. For example, if tracks 1-8 are currently displayed, pressing the right arrow will change to tracks 9-16. |
Channel | Press the left or right arrow button to scroll the channels 1 unit at a time. For example, if tracks 1-8 are currently displayed, pressing the right arrow will change to tracks 2-9. Hold the Option button while pressing either Channel button to change track order. For example, if track two is selected and you press Option+ < Channel, track two becomes track one. Conversely, if track one is selected and you press Option + Channel >, track one becomes track two. |
Flip | Press to exchange the behavior of the fader and V-Pot when allowed. |
Button | Description |
Meters/Values | When you're working with audio tracks or busses, press to display meters or numeric values. Even in Meters mode, numeric values are displayed when you edit a value. Hold the Shift button in the Modifiers section while pressing the Meters/Values button to toggle control of tracks, busses, or tracks and busses.
|
Time Fmt | Press and hold to display the current time format. Turn V-Pot 8 while holding the button to change the format. |
Button | Description |
Marker 1/9 | Press to place the cursor at marker 1, or hold Shift and press to place the cursor at marker 9. When the Settings button is selected, hold the button and turn the V-Pot to change the automation recording mode for each track and bus track. |
Marker 2/10 | Press to place the cursor at marker 2, or hold Shift and press to place the cursor at marker 10. When the Settings button is selected, hold the button and turn the V-Pot to change the current panning mode. |
Marker 3 | Press to place the cursor at marker 3. |
Marker 4 | Press to place the cursor at marker 4. When the Settings button is selected, hold the button and turn the V-Pot to change record input monitoring settings when you're using an ASIO audio device. |
Marker 5 | Press to place the cursor at marker 5. When the Pan button is selected, press the Settings button and then hold F5 while pressing the V-Pot to change the bus or assignable effects output fader to Pre FX or Post FX. When the Sends button is selected, press the Settings button and hold F5 while pressing the V-Pot to change a track's bus or assignable effects send level to Pre Volume or Post Volume. Press the Sends button to scroll through the available bus and effects sends. |
Marker 6 | Press to place the cursor at marker 6. Press the Settings button and hold F6 while pressing the V-Pot on a channel to return the channel's settings to the track defaults. |
Marker 7 | Press to place the cursor at marker 7. |
Marker 8 | Press to place the cursor at marker 8. |
Button | Description |
Track | Press to add a new audio track. |
Bus | Press to add an audio bus to your project. |
Button | Description |
Mixer | Press to show the Mixing Console window. If the window is not docked, pressing the button shows/hides the window. |
Video Preview | Press to show the Video Preview window. If the window is not docked, pressing the button shows/hides the window. |
Plug-Ins | Press to show the Plug-In Manager window. If the window is not docked, pressing the button shows/hides the window. |
Button | Description |
Bus Tracks | Press to show or hide bus tracks in the timeline. |
Dock Area | Press to show or hide the Window Docking Area at the bottom of the ACID window. |
Track List | Press to show or hide the track list in the timeline. |
Button | Description |
Shift | Hold the Shift button while pressing a button labeled with inverse text to perform the shift function. For example, hold Shift while pressing the Undo/Redo button to reverse an undo action. |
Option/ | Hold the Option/Track Order button while pressing a button in the Settings, Add New, or Windows group for alternative functions. Hold the Option/Track Order button while pressing a the Channel < or Channel > button to change track order. Hold the Option/Track Order button while pressing F1 to F16 to perform custom functions you can define. See the Configure or customize your control mappings heading in this help topic for more information. |
Ctrl | Hold the Ctrl button while using a control for alternative functions. However, when I go to Insert a Soft Synth in Sonar, and scroll to the vstplugins options, the Clap Machine VST plugin does not appear. Download volume eleven vst. I then copied the extracted Clap Machine Win32 VST (I'm needing to use the 32 bit version of Cakewalk Sonar at the moment) folder to the CakewalkVstplugins folder. So I then went ahead and downloaded the correct Win 32-bit and 64-bit versions. |
Alt | Hold the Alt button while using a control for alternative functions. |
Use the External Control & Automation tab in the Preferences dialog to select the control surfaces you want to use and adjust their configuration.
From the Options menu, choose Preferences to display the Preferences dialog.
Select the External Control & Automation tab.
Double-click your Mackie Control in the Active devices list to display the Configure Mackie Control dialog.
To add or change a function do the following:
a. Select an item in the User defined surface control mappings list.
b. Select an item in the Available host functions list.
c. Click the Assign button.
To remove a function, select an item in the User defined surface control mappings list and click the Clear button.
To remove all functions, click the Clear All button.
To replace all custom functions with the default settings, click the Default All button.
Button | Description |
Automation | Press to place the controls on the Mackie Control in automation mode. The controls in the channel section of the Mackie Control will affect the automation parameters on the track or bus if Automation Write (Touch) or Automation Write (Latch) mode is selected. When the button is not selected, the buttons control trim (static) values. |
Bypass FX | Press to bypass/enable all audio effects. |
Metronome | Press to turn the metronome on or off. Hold Shift and press to toggle metronome countoff. |
Surround | Press to toggle the project properties between stereo and 5.1 surround mode. |
Downmix | Press to toggle the state of the Downmix Output button in the Mixing Console window. |
Dim | Press to toggle the state of the Dim Output button in the Mixing Console window. |
Button | Description |
Save | Press to save your project. |
Undo/ | Press to reverse edit operations. Hold Shift while pressing the button to reverse an undo operation. |
OK | Not used. |
Cancel | Not used. |
Button | Description |
Marker | Press to place a m Hold the Ctrl button while pressing the Marker button to remove a marker. |
Region | Press to convert the current selection to a region. Hold the Ctrl button while pressing the Region button to remove a region. |
Loop/ | Press to toggle looped playback mode. Hold the Shift button while pressing the Loop/Select button to create a time selection from the loop region. |
Mark In/ | Press to set the beginning of the loop region at the cursor position. Hold the Shift button while pressing the Mark In/Go to In button to move the cursor to the beginning of the loop region. |
Mark Out/ | Press to set the end of the loop region at the cursor position. Hold the Shift button while pressing the Mark Out/Go to Out button to move the cursor to the end of the loop region. |
Event Trim/ | Hold the Shift button while pressing the Event Trim/Center Cursor button to center the cursor in the timeline view. |
RTZ/ | Press to move the cursor to the beginning of the project. Hold the Shift button while pressing the RTZ/End button to move the cursor to the end of the project. |
Button | Description |
Rewind | Press and hold to move backward through the timeline at 20x speed. |
Fast Forward | Press and hold to move forward through the timeline at 20x speed. |
Stop | Press to stop playback and return the cursor to its position before playback started. |
Play | Press to start playback. Press again to stop playback and leave the cursor at its current position. |
Record | Press to start recording. Press again to stop recording and leave the cursor at its current position. Hold the Shift button while pressing the Record button to render the current selection to a new track. |
Button | Description | |||
Left/Right |
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Up/Down | Press to zoom in or out. |
The jog dial allows you to navigate the timeline when playback is stopped.
Hold Alt and turn the dial to go to the beginning of the next or previous measure.
Drivers For Mackie Control Universal
The Mackie Control is fully supported by ACID software.
An overlay is available from Mackie that you can use to label the Mackie Control buttons and controls with their mapped functions in Vegas software. Many though not all of these functions are also available in ACID. Click here to view the overlay in a new browser window, or click here to download a full-size, printable version.
When you use the default mapping, the Mackie Control is divided into several functional areas. All functionality described in this topic refers to the default control mapping. You can also customize the buttons and controls on the Mackie control.
For information about your Mackie Control, please refer to the manufacturer's documentation.
For more information about configuring ACID to use a control surface, please see Using a Control Surface.
The Mackie Control Universal can control either trim or automation settings. In order to control automation settings, the Automation button in the Audio/Video section must be selected, and the track or bus you want to edit must be set to Automation Write (Touch) or Automation Write (Latch). Hold the F1 button while turning the V-Pot (or use the Automation Settings button ) to change the automation recording mode for each track and bus track.
What do you want to do?
Configure channel mappings for Mackie Control Extenders
Configure or customize your control mappings
Channel section (not shown)
Footswitches (not shown)
Control buttons
Mackie Control Universal Driver
Fader Banks buttons
Display buttons
Mackie Control Universal Drivers
Markers buttons
Add New buttons
Windows buttons
View buttons
Modifiers buttons
Audio/Video buttons
Project buttons
Timeline buttons
Transport buttons (not shown)
Arrow buttons (not shown)
Jog dial (not shown)
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Using a Mackie Control
